rainbowchowder:

Merry Christmas!
circa 1927

rainbowchowder:

Merry Christmas!

circa 1927

(Source: thecheshirecatsmeow, via clockofsteam-deactivated2011090)

secondwaltz:

Saks Fifth Avenue, Dec 1920

secondwaltz:

Saks Fifth Avenue, Dec 1920

(via 23985-deactivated20111115-deact)

clockofsteam:

Vintage 1920s dress
clockofsteam:

Vintage 1920s dress
clockofsteam:

1920s clothing at Vintage Textile: #2246 lace flapper dress
clockofsteam:

1920s clothing at Vintage Textile: #2246 lace flapper dress
oldhollywood:

Ricardo Cortez in production still from D.W. Griffith’s Faustian tale The Sorrows of Satan (1926), based on Marie Corelli’s 1895 novel of the same name.

oldhollywood:

Ricardo Cortez in production still from D.W. Griffith’s Faustian tale The Sorrows of Satan (1926), based on Marie Corelli’s 1895 novel of the same name.

oldhollywood:

Ricardo Cortez in production still from D.W. Griffith’s Faustian tale The Sorrows of Satan (1926), based on Marie Corelli’s 1895 novel of the same name.

oldhollywood:

Ricardo Cortez in production still from D.W. Griffith’s Faustian tale The Sorrows of Satan (1926), based on Marie Corelli’s 1895 novel of the same name.

oldhollywood:

via Street Angel (1928, dir. Frank Borzage)

Complete wrong time period, but I definitely started singing “Earth Angel” for some reason.

oldhollywood:

via Street Angel (1928, dir. Frank Borzage)

Complete wrong time period, but I definitely started singing “Earth Angel” for some reason.

oldhollywood:

via Street Angel (1928, dir. Frank Borzage)

Complete wrong time period, but I definitely started singing “Earth Angel” for some reason.

oldhollywood:

via Street Angel (1928, dir. Frank Borzage)

Complete wrong time period, but I definitely started singing “Earth Angel” for some reason.

oldhollywood:

Louise Brooks in Pandora’s Box (1929, G.W. Pabst)

Leave it to me to find more Louise Brooks. At least I’ve avoided reblogging everything from FuckYeahLouiseBrooks!

oldhollywood:

Louise Brooks in Pandora’s Box (1929, G.W. Pabst)

Leave it to me to find more Louise Brooks. At least I’ve avoided reblogging everything from FuckYeahLouiseBrooks!

oldhollywood:

Louise Brooks in Pandora’s Box (1929, G.W. Pabst)

Leave it to me to find more Louise Brooks. At least I’ve avoided reblogging everything from FuckYeahLouiseBrooks!

oldhollywood:

Louise Brooks in Pandora’s Box (1929, G.W. Pabst)

Leave it to me to find more Louise Brooks. At least I’ve avoided reblogging everything from FuckYeahLouiseBrooks!

oldhollywood:

Stan Laurel & Oliver Hardy in Liberty (1929, dir. Leo McCarey)
(via)

oldhollywood:

Stan Laurel & Oliver Hardy in Liberty (1929, dir. Leo McCarey)

(via)

oldhollywood:

Stan Laurel & Oliver Hardy in Liberty (1929, dir. Leo McCarey)
(via)

oldhollywood:

Stan Laurel & Oliver Hardy in Liberty (1929, dir. Leo McCarey)

(via)

oldhollywood:

“I am writing a play about a woman dancing with her bare feet in the blood of a man she has craved for and slain.”
-Oscar Wilde (1891)
Alla Nazimova in Salome (1923, dir. Charles Bryant), the screen adaptation of Wilde’s play. Above, she performs the “Dance of the Seven Veils” to seduce King  Herod into ordering the beheading of John the Baptist; below, the execution.

oldhollywood:

“I am writing a play about a woman dancing with her bare feet in the blood of a man she has craved for and slain.”

-Oscar Wilde (1891)

Alla Nazimova in Salome (1923, dir. Charles Bryant), the screen adaptation of Wilde’s play. Above, she performs the “Dance of the Seven Veils” to seduce King Herod into ordering the beheading of John the Baptist; below, the execution.

Fashion of the 1920's. Gams, clams, flappers, dappers, daddies and dames are all welcome.